{"id":1233,"date":"2015-04-09T11:17:07","date_gmt":"2015-04-09T09:17:07","guid":{"rendered":"http:\/\/www.gerngesehen.de\/?p=1233"},"modified":"2020-07-22T20:38:53","modified_gmt":"2020-07-22T18:38:53","slug":"cam-deas-paul-hubweberdj-sniff-one-man-nation-aka-tara-transitory","status":"publish","type":"post","link":"https:\/\/www.gerngesehen.de\/?p=1233","title":{"rendered":"Cam Deas \/\/ Paul Hubweber\/DJ Sniff  \/\/ One Man Nation aka Tara Transitory"},"content":{"rendered":"<blockquote><p>Dienstag \/ 20 h<br \/>\n<strong>5. Mai 2015<\/strong><br \/>\nK\u00f6ln \/ Gold+Beton, Ebertplatz Unterf\u00fchrung<\/p><\/blockquote>\n<p><strong><strong><strong><!--more--><br \/>\n<img loading=\"lazy\" class=\"alignright size-full wp-image-1236\" title=\"GG150505\" src=\"http:\/\/www.gerngesehen.de\/GG\/wp-content\/uploads\/2015\/04\/GG150505.jpg\" alt=\"GG150505\" width=\"400\" height=\"969\" \/>Cam Deas<\/strong><br \/>\n<\/strong><strong>Paul Hubweber &amp; <\/strong><strong>DJ Sniff<br \/>\n<strong>One Man Nation aka Tara Transitory<\/strong><\/strong><\/strong><\/p>\n<p><strong>Cam Deas<\/strong> (London\/UK) 12 saitige akustische Gitarre und modular Synthesizer<\/p>\n<p><strong>Paul Hubweber <\/strong>(Aachen)\/Posaue<strong> &amp;<br \/>\nDJ Sniff (<\/strong>Takuro Mizuta Lippit\/ Hongkong) \/Plattenspieler<\/p>\n<p><strong>One Man Nation aka Tara Transitory<\/strong><em> <\/em>(Singapore)<br \/>\nElektronik<\/p>\n<p>Ein Abend, drei Konzerte. Zweimal musique concret, akustische Instrumente und Elektronik \u00a0plus Tara X mit ICE Hochgeschwindigkeitselektronik und einem Hauch von Noise. Vier Musiker, die immer wieder \u00fcberraschen, live vor Ort.<\/p>\n<p><strong><span style=\"font-weight: normal;\">&#8212;&#8212;<\/span><\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong>Cam(eron) Deas<\/strong><\/p>\n<p>&#8222;Cam Deas most recent record, String Studies, was released by Alter, Luke Younger\/Helm&#8217;s label. \u00a0\u201c&#8230;the notes of his 12 string acoustic are raw material for violent sculpture, torn apart and flung about separately by the manipulations of his modular synth, bouncing around the space in a hyper-kinetic match of sound squash.\u201d &#8211; The Wire<\/p>\n<p>Cam(eron) Deas<strong> <\/strong>is an experimental musician based in London. Currently working with electronics, he uses an integrated array of synthesis techniques that are triggered by, and in turn manipulate, external acoustic sound sources, in and out of conjunction with pure electronic sounds. Working in an entirely live environment, Deas creates a kind of real-time musique concrete, resulting in an abstract yet organic contemporary electronic music. Also known for his work as a guitarist, Deas\u2019s debut LP for his electronic work, String Studies, is a suite that focuses on using the 12 string acoustic guitar as the sole sound source of this live musique concrete: a wooden frame to an electronic music. \u00a0 <a href=\"http:\/\/www.camerondeas.com\" target=\"_blank\" rel=\"noopener noreferrer\">www.camerondeas.com<\/a><\/p>\n<p><strong><strong><span style=\"font-weight: normal;\">&#8212;&#8212;<\/span><\/strong><br \/>\n<strong>DJ Sniff<br \/>\n<\/strong><br \/>\nDJ Sniff (<\/strong>Takuro Mizuta Lippit\/ Hongkong) mit flinken Fingern am Turntable, selbstprogrammierter Software, im Geschwindigkeitsrausch improvisiert \u00a0DJ Sniff mit seinem musikalischen Vinyl Musikarchiv, zusammen mit Paul Hubwebers virtuos, imposantem Posauenspiel. Takuro Mizuta Lippit ist Musiker, Kurator im Bereich der experimentellen elektronischen K\u00fcnste, er improvisiert meist mit Plattenspielern als Instrument, war von 2008-12 k\u00fcnstlerischer Leiter am STEIM\/Amsterdam, seit 2012 lehrt er an der School for Creative Media in Hongkong.<br \/>\n<span style=\"color: #0000ff;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/djsniff.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">djsniff.com<\/a><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=grjY3gyIFjE\" target=\"_blank\" rel=\"noopener noreferrer\">www.youtube.com<br \/>\n<\/a><\/span><\/span><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.k11artfoundation.org\/en\/collaboration\/takuro-mizuta-lippit-dj-sniff\/\" target=\"_blank\" rel=\"noopener noreferrer\">www.k11artfoundation.org<\/a><br \/>\n<\/span><br \/>\nCD on GLIGG Records<br \/>\n<a href=\"http:\/\/www.gligg-records.com\/records\/records.html\" target=\"_blank\" rel=\"noopener noreferrer\">www.gligg-records.com<\/a><\/p>\n<p><strong><strong><span style=\"font-weight: normal;\">&#8212;&#8212;<br \/>\n<\/span><\/strong><\/strong><strong>Paul Hubweber<\/strong><\/p>\n<p>Seit mehr als 30 Jahren spielt<strong> <\/strong><strong>Paul Hubweber <\/strong>mit vielen europ\u00e4ischen Gr\u00f6\u00dfen des Free Jazz und der Improvisierten Musik zusammen und hat sich zu einem der wichtigsten Erneuerer des Posaunenspiels entwickelt. Seine Technik \u201evereinigt eine Vielzahl an kleinen T\u00f6nen: ged\u00e4mpfte gebogene Bilder, Schnellfeuer-Punkte, Knacken, Knurren und Brummen, um nur einige zu nennen. Er beeindruckt als Performer, der die Grenzen seines Instruments intermedial erweitert.<br \/>\n<span style=\"color: #0000ff;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.paulhubweber.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">www.paulhubweber.com<\/a><\/span><\/span><\/p>\n<p><strong><strong><span style=\"font-weight: normal;\">&#8212;&#8212;<\/span><\/strong><\/strong><br \/>\n<strong><em><strong><span style=\"font-style: normal;\">One Man Nation aka Tara Transitory<\/span><\/strong><span style=\"font-style: normal;\"><br \/>\n<\/span><br \/>\n<span style=\"font-weight: normal;\"><span style=\"font-style: normal;\">One Man Nation aka Tara Transitory<\/span><\/span><\/em><\/strong> (Singapore) Elektronik und circuit bending, sehr kraftvoll, energiegeladen richtung noise &#8211; \u00a0hat auch mit Takuro in Projekten zusammengearbeitet. Arbeitet an der Schnittstelle vonTransgender, Noise, Schamanismus und Ritualen in Musik und Film und Medienkunst.<\/p>\n<p>Concurrent to all that, I am planning to organize 3 editions of the International \/\/gender|o|noise\\\\ Festival in Chiang Mai (Thailand), Phnom Penh (Cambodia) and Hanoi (Vietnam), the first of this festival was held in April 2014 in Granada (Spain). And I am also trying to setup a sort of<br \/>\nartist\/researcher residency space\/program somewhere in Asia focusing on the development of trans* art\/history, and I will be taking the opportunity of being there to find a suitable location for this. The grant would be used to fund all of these projects.<br \/>\n<span style=\"color: #0000ff;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.onemannation.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">www.onemannation.com<\/a><\/span><\/span><\/p>\n<p><em>Eine Zusammenarbeit von ON &#8211; Neue Musik K\u00f6ln, Gold+Beton auf Einladung von freies rheinland e.V. c\/o Georg Dietzler<br \/>\n<span style=\"color: #0000ff;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.on-cologne.de\" target=\"_blank\" rel=\"noopener noreferrer\">www.on-cologne.de<\/a><\/span><\/span><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dienstag \/ 20 h 5. Mai 2015 K\u00f6ln \/ Gold+Beton, Ebertplatz Unterf\u00fchrung<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[128],"tags":[],"_links":{"self":[{"href":"https:\/\/www.gerngesehen.de\/index.php?rest_route=\/wp\/v2\/posts\/1233"}],"collection":[{"href":"https:\/\/www.gerngesehen.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gerngesehen.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gerngesehen.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gerngesehen.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1233"}],"version-history":[{"count":6,"href":"https:\/\/www.gerngesehen.de\/index.php?rest_route=\/wp\/v2\/posts\/1233\/revisions"}],"predecessor-version":[{"id":2147,"href":"https:\/\/www.gerngesehen.de\/index.php?rest_route=\/wp\/v2\/posts\/1233\/revisions\/2147"}],"wp:attachment":[{"href":"https:\/\/www.gerngesehen.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1233"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gerngesehen.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1233"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gerngesehen.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}