{"id":319,"date":"2021-03-31T22:01:16","date_gmt":"2021-03-31T20:01:16","guid":{"rendered":"https:\/\/www.gerngesehen.de\/funkt\/eng\/?page_id=319"},"modified":"2021-04-18T08:42:17","modified_gmt":"2021-04-18T06:42:17","slug":"saturday17-april-2021","status":"publish","type":"page","link":"https:\/\/www.gerngesehen.de\/funkt\/?page_id=319","title":{"rendered":"saturday<br>17 april 2021"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p style=\"font-size:18px\">A weekend of 53 hours non-stop excerpts what makes electronic + sound art from Cologne adorable \u2013 worth hearing \/ sound art radio \/<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-white-color has-text-color has-large-font-size\">saturday<br>17 april 2021<\/p>\n\n\n\n<p style=\"font-size:10px\">MESZ\/CEST\/CEDT BST + 0100<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color has-large-font-size\">0 \u2014 3 h<br>funkt#3<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-cyan-bluish-gray-background-color has-cyan-bluish-gray-color is-style-wide\"\/>\n\n\n\n<p style=\"font-size:18px\">00:00<br><strong><strong>Why are you just jumping all the time instead of falling?<\/strong><br><\/strong>Rebecca Beauchamp, Tatiana Heumann, hans w. koch, Jiyun Park, Hye Young Sin,&nbsp; Richard (R.I.P.) Hayman (Dreamsound)<br><em>Moderation:<\/em> hans w. koch, Richard (R.I.P.) Hayman (Dreamsound) <em>(en)<\/em><\/p>\n\n\n<div id=\"sp-ea-537\" class=\"sp-ea-one sp-easy-accordion\" data-ex-icon=\"fa-minus\" data-col-icon=\"fa-plus\"  data-ea-active=\"ea-click\"  data-ea-mode=\"vertical\" data-preloader=\"\"><div class=\"ea-card  sp-ea-single\"><h3 class=\"ea-header\"><a class=\"collapsed\" data-sptoggle=\"spcollapse\" data-sptarget=\"#collapse5370\" href=\"javascript:void(0)\"><i class=\"ea-expand-icon fa fa-plus\"><\/i> soundscapes \/ adioart \/ fieldrecordings<\/a><\/h3><div class=\"sp-collapse spcollapse spcollapse\" id=\"collapse5370\" data-parent=\"#sp-ea-537\"><div class=\"ea-body\"> <p>2020<br \/>\nDuration: 52:11 min<\/p>\n<p><em>en \/<\/em> Why are you just jumping all the time instead of falling? \/ exploring the musical dimension of sleep and dreams \/ A radiophonic piece about dreams and sound, created in summer 2020 during the seminar \"good vibrations\" by Rebecca Beauchamp, Tatiana Heumann, prof. hans w. koch, Jiyun Park, Hye Young Sin with additional narration (via skype) by Richard (R.I.P.) Hayman (Dreamsound)<\/p>\n<p><em>ger<\/em> \/ Warum springst du immer nur, statt zu fallen? \/ Erforschung der musikalischen Dimension von Schlaf und Tr\u00e4umen. Ein Radiost\u00fcck, das im Sommer 2020 im Seminar \"good vibrations\" entstand als Kollaboration zwischen Rebecca Beauchamp, Tatiana Heumann, Prof. hans w. koch, Jiyun Park, Hye Young Sin und mit zus\u00e4tzlichen Erz\u00e4hlungen (via skype) von Richard (R.I.P.) Hayman (Dreamsound)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-803\" src=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/image1_rip-hayman-1024x1024.jpeg\" alt=\"\" width=\"1024\" height=\"1024\" srcset=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/image1_rip-hayman.jpeg 1024w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/image1_rip-hayman-300x300.jpeg 300w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/image1_rip-hayman-150x150.jpeg 150w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/image1_rip-hayman-768x768.jpeg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p>Photo by Richard (R.I.P.) Hayman<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5YtuJCvwoE8\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n <\/div><\/div><\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-black-background-color has-black-color is-style-wide\"\/>\n\n\n\n<div class=\"wp-block-columns has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\" style=\"background:linear-gradient(135deg,rgb(217,255,240) 0%,rgb(169,216,200) 42%,rgb(82,224,224) 100%)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-medium-font-size\">01:00<br>audioplayer:::<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>ROW&nbsp;OUT<\/strong><br>Andreas O. Hirsch<\/p>\n\n\n\n<p class=\"has-black-color has-text-color\" style=\"font-size:10px\"><em>Label:<\/em> makiphon 003 \/<a rel=\"noreferrer noopener\" href=\"https:\/\/andreasoskarhirsch.bandcamp.com\/album\/row\" target=\"_blank\"> bandcamp<\/a> \/ Row is a straight field recording of a Dutch lifeboat team on a training run to the Wadden Sea and&nbsp;back again. The first side out, the second back. The sound elements are: the water, the rhythmic&nbsp;rowing, the creaking boat, and the rhythmic vocal exhortations of the steersman.<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>Federlos<\/strong><br>Bordun Orchester: Andr\u00e9s&nbsp;Krause, Marc Matter<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>Zugfahrt nach Busan<\/strong><br>Ji Hyun Park<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>KERBEROS SCORE<\/strong><br>Gero Koenig, Werner Raditschnig<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>CRESCENDO, CYCLUS<\/strong> <em>Fragments<\/em><br>Gero Koenig<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>COMPLETE WORKS VOL.2<\/strong><br>Oxana Omelchuk, Constantin Herzog<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\">ON-Podcast:<br><strong>WE ACTUALLY MAKE MUSIC I<\/strong><br>sonae, Philipp H\u00f6ning<\/p>\n\n\n\n<p class=\"has-black-color has-text-color\" style=\"font-size:10px\">This mix is made of music from the albums Sonae &#8211; I Started Wearing Black | Sonae &#8211; Music For People Who Shave Their Heads and the upcoming albums MethLife &#8211; Anechoict Chambers | MethLife &#8211; Drew Cumming Todesursache | MethLife &#8211; Muzak For The Tessier Ashpool-Dynaspace Headquarter | and further unreleased Sonae tracks | all rights reserved.<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n<\/div>\n<\/div>\n\n\n\n<p id=\"17april3\"><\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\" style=\"background:linear-gradient(135deg,rgb(217,255,240) 0%,rgb(169,216,200) 42%,rgb(82,224,224) 100%)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-large-font-size\">3 \u2014 6 h<br>funkt#4<\/p>\n\n\n\n<p class=\"has-medium-font-size\">audioplayer:::<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>KLANGKAMM<\/strong><br>Christian Faubel<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>PATTERNS FOR BENCHES&nbsp;<\/strong><br>Hye Young Sin<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>URLAUB IN VERMILION SANDS #3<\/strong><br>Stefan Haagen<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>FUNFON \u2013 GATTER <\/strong><em>(Excerpt A)<\/em><br>Sebastian Thewes<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>HOHENZOLLERNBR\u00dcCKE<\/strong><br>Michael R\u00fcsenberg<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>RODIO<\/strong><br>Tobias Beck<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>RODENKIRCHENER BR\u00dcCKE<\/strong><br>Michael R\u00fcsenberg<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>O.T. (PT.2)<\/strong><br>Klaus Osterwald<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>URLAUB IN VERMILION SANDS #1<\/strong><br>Stefan Haagen<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>MERCURE \/ MONDIAL<\/strong><br>Stephanie Glauber, Miriam Gossing<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>ZOOBR\u00dcCKE<\/strong><br>Michael R\u00fcsenberg<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>PIPES<\/strong><br>Jiyun Park<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>FUNFON-GATTER<\/strong><em> (Excerpt B)<\/em><br>Sebastian Thewes<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>COMPILATION<\/strong><br>Axel Pulgar playlist:<br>\u2014 LLAMADA RETROALIMENTADA<br>\u2014 PROGRESSIVE_0<br>\u2014 INTERVALO ABIERTO<br>\u2014 PROGRESSIVE_1<br>\u2014 CRAFT<br>\u2014 CONTEMPLATIVE<br>\u2014 YUGUELUMP<br>\u2014 CERRO NEGRO<br>\u2014 ENDE<br>\u2014 GROOURO<br>\u2014 J\u00c4M<br>\u2014 FISIOLOGIA MAQUINAL<br>\u2014 KUGEL ATTACK<br>\u2014 AM\u00c1H<br>\u2014 MUSIKMASCHINE!<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>QUADRAT ICHENDORF<\/strong><br>Schlammpeitziger<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\" style=\"background:linear-gradient(135deg,rgb(217,255,240) 0%,rgb(82,224,224) 100%)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-large-font-size\">6 \u2014 9 h<br>funkt#5<\/p>\n\n\n\n<p class=\"has-medium-font-size\">audioplayer:::<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>ACCELERATED STANDSTILL<\/strong><br>Achim Mohn\u00e9 <\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>EGOFLESH<\/strong><br>Fetisch Park <\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>DISORDER RESONANCE 05<\/strong><br>Luis Antunes Pena<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>DISORDER RESONANCE 06<\/strong><br>Luis Antunes Pena<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>DER ATMENDE RAUM<\/strong><br>Alissa Berger <\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>DIE WIRKUNG DER MUSIK<\/strong><br>Harald Sack Ziegler <\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>BEUYS GOES PYTHAGORAS<\/strong><br>Siegfried Koepf<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>CORONA MEDIATION<\/strong> <em>(Excerpt)<\/em><br>Michael Ranta <\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\" style=\"background:linear-gradient(135deg,rgb(217,255,240) 0%,rgb(82,224,224) 100%)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-large-font-size\">9 \u2014 12 h<br>funkt#6<\/p>\n\n\n\n<p class=\"has-medium-font-size\">audioplayer:::<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>NYC MUSEUM CYCLE 01-26<\/strong><br>Dietmar Bonnen<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>N1cHt Hi3r<\/strong><br>Tim Gorinski, Paul Faltz<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>RADIOOSCILLATING<\/strong><br>Verena Barie<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>DROWNED WORLD<\/strong><br>Verena Barie<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>BLINDED<\/strong><br>Verena Barie<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>RHENUS (Sonic Flux) <\/strong><br>Friday Dunard (aka Friedemann Dupelius)<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>WURFHALM WIGGO<\/strong><br>Schlammpeitziger<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>BEAUTY<\/strong><br>Frank Barknecht<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\" style=\"background:linear-gradient(135deg,rgb(217,255,240) 0%,rgb(82,224,224) 100%)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-large-font-size\">12\u2014 15 h<br>funkt#7<\/p>\n\n\n\n<p class=\"has-medium-font-size\">audioplayer:::<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>BLASENWERFER UND PHRASENDRESCHER<\/strong><br>M\u00e4nner mit Motoren<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\">ON-Podcast:<br><strong>WE ACTUALLY MAKE MUSIC PT.2<\/strong><br>sonae, Philipp H\u00f6ning<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>S\u00dcDBR\u00dcCKE<\/strong><br>Michael R\u00fcsenberg<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>SCHWARM DER MISCHWESEN<\/strong><br>Andreas Wagner<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>PUBLIC DEMAND #01<\/strong><br>Random Supply<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>MAZWI2<\/strong><br>Bernd H\u00e4rpfer<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>MALLORCAAKNE I <\/strong><br>TITANOBOA<\/p>\n\n\n\n<p class=\"has-black-color has-text-color\" style=\"font-size:10px\">2021, unver\u00f6ffentlicht<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><br><strong>KDB<\/strong><br>TITANOBOA &amp; Belay<\/p>\n\n\n\n<p class=\"has-black-color has-text-color\" style=\"font-size:10px\">2018 \/ <a rel=\"noreferrer noopener\" href=\"https:\/\/soundcloud.com\/titanoboa\" target=\"_blank\">soundcloud<\/a><br><br><\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>FALSCHE Z\u00c4HNE<\/strong><br>TITANOBOA<\/p>\n\n\n\n<p class=\"has-black-color has-text-color\" style=\"font-size:10px\">2020 \/ Porphyr (LP) a-musik A44V<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>AUKI <\/strong><br>TITANOBOA<\/p>\n\n\n\n<p class=\"has-black-color has-text-color\" style=\"font-size:10px\">2018 \/ <a rel=\"noreferrer noopener\" href=\"https:\/\/soundcloud.com\/titanoboa\" target=\"_blank\">soundcloud<\/a><br><\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>REFRACTION<\/strong><br>Achim Mohn\u00e9, Ayumi Paul<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>PLAN_B<\/strong><br>Bettina Wenzel<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>ANTE SAPINA<\/strong><br>Titanoboa<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>MFF 100<\/strong><br>Harald Sack Ziegler<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>PT.3 <\/strong><br>Klaus Osterwald<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\"><strong>NACHTFLUG<\/strong><br>Peter Behrendsen<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color has-small-font-size\">ON-Podcast:<br><strong>CONTAINERKLANG<\/strong><br>Friedemann Dupelius, Timm Roller, Alina Loewenich, Etienne Nillesen, Akiko Ahrendt, Annegret Mayer-Lindenberg, Elisa K\u00fchnl, Sebastian von der Heide, Tanja Kodlin, Salim Javaid<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n<\/div>\n<\/div>\n\n\n\n<p id=\"17april15\"><\/p>\n\n\n\n<p id=\"17april15\"><\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color has-large-font-size\">15 \u2014 18 h<br>funkt#8<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" id=\"block-e8a91905-ff52-4190-a2c1-706efafdba52\"\/>\n\n\n\n<p id=\"block-8985c3d5-d401-4b2c-a2af-599182292828\" style=\"font-size:18px\">15:00<br><strong>grapefruits<br><\/strong>Dora Schilling, Elisa K\u00fchnl, Elisa Metz, Helene Heuser, Nathalie Brum, Theresa Nink, Anna Sch\u00fctten, Daniel Mu\u00f1oz Barrag\u00e1n<br><em>Moderation:<\/em> the authors <em>(en\/ger)<\/em><\/p>\n\n\n<div id=\"sp-ea-544\" class=\"sp-ea-one sp-easy-accordion\" data-ex-icon=\"fa-minus\" data-col-icon=\"fa-plus\"  data-ea-active=\"ea-click\"  data-ea-mode=\"vertical\" data-preloader=\"\"><div class=\"ea-card  sp-ea-single\"><h3 class=\"ea-header\"><a class=\"collapsed\" data-sptoggle=\"spcollapse\" data-sptarget=\"#collapse5440\" href=\"javascript:void(0)\"><i class=\"ea-expand-icon fa fa-plus\"><\/i> fanzine \/ femalecomposers \/ soundart<\/a><\/h3><div class=\"sp-collapse spcollapse spcollapse\" id=\"collapse5440\" data-parent=\"#sp-ea-544\"><div class=\"ea-body\"> <p><em>Duration:<\/em> \u00a059:58 min<\/p>\n<p><em>en \/ <\/em>The title refers to the book <em>Grapefruit,<\/em> by Yoko Ono, who understood grapefruits as being a hybrid of lemons and oranges. She saw this as a metaphor for her own identity - always being an \u2018in-between\u2019. In 2019 the first issue, with the title, <em>Imaginary Sound<\/em> was published. Since then, the <em>grapefruits<\/em> team has released a new issue twice a year, combining an overarching topic with six artist portraits - all chosen by the authors, from early pioneers to emerging artists, and based on personal interest while connecting different genres and perspectives., from early pioneers to emerging\u00a0 artists. Following the dedicated issues on <em>Performance<\/em> (February 2020) and <em>Instruments <\/em>(July 2020), the current publication (April 2021) focuses on <em>Installations<\/em>. During their one hour broadcast for FUNKT, the grapefruits team will give insights into their latest issue and talk about their ever-growing project while listening to tracks from each issue. Claudia Robles-Angle is introduced by Helene Heuser, Brenna Murphy by Elisa K\u00fchnl, Shadwa Ali by Nathalie Brum, with original soundtrack by Shadwa Ali and Natascha Sadr Haghighian by Theresa Nink.<\/p>\n<p>ger \/<em>grapefruits<\/em> ist ein Fanzine \u00fcber Komponistinnen und Klangk\u00fcnstlerinnen. Der Titel bezieht sich auf das Buch <em>Grapefruit<\/em> von Yoko Ono, die Grapefruits als eine Mischung aus Zitronen und Orangen verstand, eine Metapher f\u00fcr ihre eigene Identit\u00e4t - immer dazwischen. 2019 erschien die erste Ausgabe mit dem Titel <em>Imaginary Sound<\/em>. Seitdem ver\u00f6ffentlicht das Grapefruits-Team zweimal im Jahr eine neue Ausgabe, welche jeweils ein \u00fcbergreifendes Thema mit sechs K\u00fcnstler*innen Portr\u00e4ts kombiniert. Die sieben Autorinnen und ein Autor w\u00e4hlen jede K\u00fcnstlerin nach pers\u00f6nlichem Interesse aus und verbinden verschiedene Genres und Perspektiven, von fr\u00fchen Pionierinnen bis zu aufstrebenden K\u00fcnstlerinnen. Nach den Schwerpunkten <em>Performance<\/em> und <em>Instrumente<\/em> besch\u00e4ftigt sich die neueste Ver\u00f6ffentlichung (April 2021) mit dem Thema <em>Installationen<\/em>. W\u00e4hrend der einst\u00fcndigen Sendung f\u00fcr FUNKT wird das Grapefruits-Team Einblicke in die neueste Ausgabe geben, \u00fcber das stetig wachsende Projekt sprechen und derweil Tracks aus den verschiedenen Ausgaben spielen. Claudia Robles-Angle wird vorgestellt von Helene Heuser, Brenna Murphy von Elisa K\u00fchnl, Shadwa Ali von Nathalie Brum, mit O-Ton von Shadwa Ali und Natascha Sadr Haghighian\u00a0 von Theresa Nink.<\/p>\n<p><a href=\"http:\/\/grapefruits.online\/\" target=\"_blank\" rel=\"noopener\">grapefruits.online<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-547\" src=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Grapefruits-c-Elisa-Metz-.png\" alt=\"\" width=\"1240\" height=\"1240\" srcset=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Grapefruits-c-Elisa-Metz-.png 1240w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Grapefruits-c-Elisa-Metz--300x300.png 300w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Grapefruits-c-Elisa-Metz--1024x1024.png 1024w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Grapefruits-c-Elisa-Metz--150x150.png 150w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Grapefruits-c-Elisa-Metz--768x768.png 768w\" sizes=\"auto, (max-width: 1240px) 100vw, 1240px\" \/><\/p>\n<p>by Elisa Metz<\/p>\n <\/div><\/div><\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" id=\"block-8de9cbc7-d62b-41c1-8863-ee3c1c3fbf2c\"\/>\n\n\n\n<p id=\"block-03ab8577-0133-43f6-a91a-745f268ea2e9\" style=\"font-size:18px\">16:00<br><strong>Gathering Rustic Airs<br><\/strong>Sybella Perry, Franziska Windisch<br><em>Moderation:<\/em> the artists <em>(en)<\/em><\/p>\n\n\n<div id=\"sp-ea-549\" class=\"sp-ea-one sp-easy-accordion\" data-ex-icon=\"fa-minus\" data-col-icon=\"fa-plus\"  data-ea-active=\"ea-click\"  data-ea-mode=\"vertical\" data-preloader=\"\"><div class=\"ea-card  sp-ea-single\"><h3 class=\"ea-header\"><a class=\"collapsed\" data-sptoggle=\"spcollapse\" data-sptarget=\"#collapse5490\" href=\"javascript:void(0)\"><i class=\"ea-expand-icon fa fa-plus\"><\/i> sounds and talks \/ generative electroacoustic composition<\/a><\/h3><div class=\"sp-collapse spcollapse spcollapse\" id=\"collapse5490\" data-parent=\"#sp-ea-549\"><div class=\"ea-body\"> <p><em>Duration:<\/em> \u00a070:12 min<\/p>\n<p><em>en \/<\/em> Sybella Perry\u2019s radio programme is based on material from her book and LP \u2018Rustic Airs\u2019 with book readings, extended field recording, and LP excerpts, followed by a conversation with Franziska Windisch.<br \/>\nThe book uses folk airs, those interchangeable tunes that travelled and were adapted, to consider ways to examine mobility, transformation and plurality. Her approach juxtaposes both generative electro-acoustic composition with instrumental recordings of folk music, and critical writing with travelogues in order to consider the changes that occur in the gaps between notes and bars; between people, between spaces and places; words, sounds and subjects.<\/p>\n<p>ger \/ Sybella Perry pr\u00e4sentiert Material aus ihrer Buch- und LP-Ver\u00f6ffentlichung Rustic Airs in der Form eines Radio Features, dem im Anschluss ein Gespr\u00e4ch mit Franziska Windisch folgt. Auf der Suche nach einer Denkweise, die sich mit Mobilit\u00e4t, Transformation und Pluralit\u00e4t befasst,\u00a0widmet sich Gathering Rustic Airs dem Ph\u00e4nomen der Folk Airs; austauschbaren Melodien, die auf\u00a0Reisen sind und sich stetig ver\u00e4ndern. Im Nebeneinander von generativer elektroakustischer\u00a0Komposition mit Aufnahmen instrumentaler folk music, von critical writing mit Reiseberichten,\u00a0geschehen die Ver\u00e4nderungen in den L\u00fccken zwischen Noten und Takten, zwischen Menschen,\u00a0R\u00e4umen und Orten, zwischen W\u00f6rtern, Kl\u00e4ngen und Themenfeldern.<\/p>\n<p><a href=\"http:\/\/www.sybellaperry.com\" target=\"_blank\" rel=\"noopener\">www.sybellaperry.com<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-552\" src=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Perry_SGRAWeb_Foto-Do\u0308rthe-Boxberg.jpg\" alt=\"\" width=\"1000\" height=\"666\" srcset=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Perry_SGRAWeb_Foto-Do\u0308rthe-Boxberg.jpg 1000w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Perry_SGRAWeb_Foto-Do\u0308rthe-Boxberg-300x200.jpg 300w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Perry_SGRAWeb_Foto-Do\u0308rthe-Boxberg-768x511.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/p>\n<p>Photo by D\u00f6rthe Boxberg<\/p>\n <\/div><\/div><\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" id=\"block-59884bfa-5e81-409a-845f-150cf390e591\"\/>\n\n\n\n<p id=\"block-ee238938-1c2d-41ca-b125-cbc6fb878abe\" style=\"font-size:18px\">17:12<br><strong><strong>In lieblicher Bl\u00e4ue<\/strong><\/strong><br>Peter Behrendsen, Dietmar Bonnen<\/p>\n\n\n<div id=\"sp-ea-554\" class=\"sp-ea-one sp-easy-accordion\" data-ex-icon=\"fa-minus\" data-col-icon=\"fa-plus\"  data-ea-active=\"ea-click\"  data-ea-mode=\"vertical\" data-preloader=\"\"><div class=\"ea-card  sp-ea-single\"><h3 class=\"ea-header\"><a class=\"collapsed\" data-sptoggle=\"spcollapse\" data-sptarget=\"#collapse5540\" href=\"javascript:void(0)\"><i class=\"ea-expand-icon fa fa-plus\"><\/i> voice \/ liveprocessing \/ h\u00f6lderlin<\/a><\/h3><div class=\"sp-collapse spcollapse spcollapse\" id=\"collapse5540\" data-parent=\"#sp-ea-554\"><div class=\"ea-body\"> <p><em>Duration:<\/em> \u00a022:36 min<\/p>\n<p><em>en \/<\/em> This piece was written in 2020 for the 250th birthday of Friedrich H\u00f6lderlin. The text \u2018In lieblicher Bl\u00e4ue\u2019 is from the last years of his life and is signed Scardanelli, as was usually his way during this phase.<br \/>\nI recorded the piano part on an out-of-tune instrument with a broken frame that could no longer be restored and was scrapped immediately afterwards. Following the recording of the piano and speech, I asked Peter Behrendsen to process the two tracks using different electronic means. The piece was mixed from these 4 elements.<\/p>\n<p>ger \/Das St\u00fcck entstand 2020 zum 250. Geburtstag von Friedrich H\u00f6lderlin. Der Text \u00bbIn lieblicher Bl\u00e4ue\u00ab stammt aus seinen letzten Lebensjahren und ist wie meist in dieser Phase mit Scardanelli unterzeichnet.<br \/>\nDen Klavierpart habe ich auf einem komplett verstimmten, nicht mehr restaurierbaren Instrument mit gebrochenem Rahmen eingespielt, das unmittelbar danach verschrottet wurde. Im Anschluss an die Aufnahmen von Klavier und Sprache bat ich Peter Behrendsen um Bearbeitung der beiden Spuren mit unterschiedlichen elektronische Mitteln. Aus diesen 4 Elementen wurde das St\u00fcck gemischt.<br \/>\n<em>Text: Dietmar Bonnen<\/em><\/p>\n<p>Dietmar Bonnen: Voice, Piano\u00a0 \/\u00a0 Peter Behrendsen: Electronics\u00a0 \/\u00a0 Recording\/Mix: Gagga Deistler\/Bonnen<em><br \/>\n<\/em><\/p>\n<p><a href=\"https:\/\/dietmar-bonnen.com\/duo-behrendsen-bonnen.php\" target=\"_blank\" rel=\"noopener\">dietmar-bonnen.com<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-556\" src=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Bonnen-Behrendsen.jpg\" alt=\"\" width=\"720\" height=\"484\" srcset=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Bonnen-Behrendsen.jpg 720w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Bonnen-Behrendsen-300x202.jpg 300w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/p>\n <\/div><\/div><\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p style=\"font-size:18px\">17:36<br><strong><strong>Nine dead plants tell other stories &nbsp;<\/strong><\/strong><br>zoon slows (aka Echo Ho)<\/p>\n\n\n<div id=\"sp-ea-19\" class=\"sp-ea-one sp-easy-accordion\" data-ex-icon=\"fa-minus\" data-col-icon=\"fa-plus\"  data-ea-active=\"ea-click\"  data-ea-mode=\"vertical\" data-preloader=\"\"><div class=\"ea-card  sp-ea-single\"><h3 class=\"ea-header\"><a class=\"collapsed\" data-sptoggle=\"spcollapse\" data-sptarget=\"#collapse190\" href=\"javascript:void(0)\"><i class=\"ea-expand-icon fa fa-plus\"><\/i> SlowQin \/ electonics<\/a><\/h3><div class=\"sp-collapse spcollapse spcollapse\" id=\"collapse190\" data-parent=\"#sp-ea-19\"><div class=\"ea-body\"> <p>2012<br \/>\n<em>Duration:<\/em> 20:21 min<\/p>\n<p><em>en\/<\/em> SlowQin is a self-invented instrument based on a traditional Chinese Qin, enhanced with controllers like electric guitars, built from transparent acrylic.<\/p>\n<p><em>ger\/ <\/em>SlowQin ist ein selbst erfundenes Instrument, basierend auf einer traditionellen chinesischen Qin, erweitert mit Controllern wie bei E-Gitarren, gebaut aus transparentem Acryl.<\/p>\n<p>Composed and played by zoon slows (aka Echo Ho) \/ <em>Instruments:<\/em> SlowQin, 9 dead garden plants, voice<\/p>\n<p><a href=\"https:\/\/goechospace.com\/\" target=\"_blank\" rel=\"noopener\">goechospace.com<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-76\" src=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/03\/14_Echo-Ho_c-Echo-Ho.jpg\" alt=\"\" width=\"800\" height=\"951\" srcset=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/03\/14_Echo-Ho_c-Echo-Ho.jpg 800w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/03\/14_Echo-Ho_c-Echo-Ho-252x300.jpg 252w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/03\/14_Echo-Ho_c-Echo-Ho-768x913.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>Photo by Echo Ho<\/p>\n <\/div><\/div><\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p id=\"17april18\"><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color has-large-font-size\">18 \u2014 21 h<br>funkt#9<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p style=\"font-size:18px\">18:00<br><strong>electromechanical music portrait<br><\/strong>Tina Tonagel<br><em>Moderation:<\/em> the artists <em>(en\/ger)<\/em><\/p>\n\n\n<div id=\"sp-ea-560\" class=\"sp-ea-one sp-easy-accordion\" data-ex-icon=\"fa-minus\" data-col-icon=\"fa-plus\"  data-ea-active=\"ea-click\"  data-ea-mode=\"vertical\" data-preloader=\"\"><div class=\"ea-card  sp-ea-single\"><h3 class=\"ea-header\"><a class=\"collapsed\" data-sptoggle=\"spcollapse\" data-sptarget=\"#collapse5600\" href=\"javascript:void(0)\"><i class=\"ea-expand-icon fa fa-plus\"><\/i> diyinstruments \/ soundart \/ kineticart \/ soundgenerators<\/a><\/h3><div class=\"sp-collapse spcollapse spcollapse\" id=\"collapse5600\" data-parent=\"#sp-ea-560\"><div class=\"ea-body\"> <p><em>Duration:<\/em> \u00a027:35 min<\/p>\n<p><em>en \/<\/em> Self-portrait of the media artist Tina Tonagel \u2013 her DIY electromechanical instruments \/ Tina Tonagel is a Media-Artist. She works in the fields of Kinetic and Sound Art, using different analogue projections and electromechanical devices for elaborate site-specific installations.<br \/>\nIn her live concerts she plays different self-constructed sound-generators and instruments, which are partially played automatically. Her latest project is the band 120DEN - four women, who play a huge range including Death Metal, Electronic, World Music and Punk and who perform on modified mannequin legs.<br \/>\nYou can hear recordings and compositions of some of Tina\u2019s sound installations using slates, vibrating strings, metal springs and triangles, as well as excerpts from live recordings of concerts and a few specially recorded tracks.<\/p>\n<p><em>ger \/<\/em> Selbstportr\u00e4t der Medienk\u00fcnstlerin Tina Tonagel \u2013 ihre elektromechanischen DIY-Instrumente <strong>\/ <\/strong>Tina Tonagel ist Medienk\u00fcnstlerin. Sie\u00a0arbeitet im Bereich Klang und Kinetik, mit verschiedenen analogen Projektionstechniken sowie elektromechanischen Apparaturen, die sie f\u00fcr poetische Installationen und aufw\u00e4ndige Interventionen im Raum nutzt.<br \/>\nIn ihren Live-Konzerten spielt sie auf diversen selbst-konstruierten Klang-Erzeugern und Instrumenten, die teilweise elektromechanisch angesteuert werden. Ihr neustes Projekt ist die Band 120DEN: vier Frauen, die auf modifizierten Schaufensterpuppenbeinen zwischen Death-Metal, Elektronik, Weltmusik und Punk performen.<br \/>\nZu h\u00f6ren sind Aufnahmen und Kompositionen von Klanginstallationen mit Schieferplatten, schwingenden Saiten, Metallfedern und Triangeln, au\u00dferdem Ausschnitte aus Mitschnitten von Konzerten sowie ein paar extra aufgenommene Tracks.<\/p>\n<p><a href=\"https:\/\/www.tinatonagel.de\/\" target=\"_blank\" rel=\"noopener\">www.tinatonagel.de<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-562\" src=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Tina-Tonagel_ShinyToys-Foto_moogulator.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Tina-Tonagel_ShinyToys-Foto_moogulator.jpg 800w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Tina-Tonagel_ShinyToys-Foto_moogulator-300x225.jpg 300w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Tina-Tonagel_ShinyToys-Foto_moogulator-768x576.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>Photo by Tina Tonagel<\/p>\n <\/div><\/div><\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p style=\"font-size:18px\">18:30<br><strong><strong>Homework<\/strong><br><\/strong>Udo Moll<br><em>Moderation:<\/em> the artists <em>(en)<\/em><\/p>\n\n\n<div id=\"sp-ea-566\" class=\"sp-ea-one sp-easy-accordion\" data-ex-icon=\"fa-minus\" data-col-icon=\"fa-plus\"  data-ea-active=\"ea-click\"  data-ea-mode=\"vertical\" data-preloader=\"\"><div class=\"ea-card  sp-ea-single\"><h3 class=\"ea-header\"><a class=\"collapsed\" data-sptoggle=\"spcollapse\" data-sptarget=\"#collapse5660\" href=\"javascript:void(0)\"><i class=\"ea-expand-icon fa fa-plus\"><\/i> modularsynthesizers \/ gamingmusic \/ automatedinstruments<\/a><\/h3><div class=\"sp-collapse spcollapse spcollapse\" id=\"collapse5660\" data-parent=\"#sp-ea-566\"><div class=\"ea-body\"> <p><em>Duration:<\/em> \u00a029:04 min<\/p>\n<p><em>en \/<\/em> I will give insights into electro-acoustic works from various contexts that have been created over the last two years. We will hear excerpts from my most recent work, music for a video installation by Gudrun Barenbrock, as well as live recordings from the project \u2018Shakespeare ZombieNation II\u2019. There will also be excerpts and out-takes from my latest radio productions \u2018ENIAC Girls\u2019 (DLF 2018), \u2018Abenteuer\u2019 (ORF Kunstradio 2020) and \u2018Otaku Nation\u2019 (DLF\/SWR 2020). The starting point is usually improvisationally generated structures and sounds from modular synthesizers, which are then combined with recordings of acoustic instruments and field recordings and assembled, after careful editing, into a composition.<\/p>\n<p><em>ger \/<\/em> Ich werde Einblicke geben in elektro-akustische Arbeiten aus verschiedensten Zusammenh\u00e4ngen, die in den letzten zwei Jahren entstanden sind. Wir h\u00f6ren Ausschnitte aus meiner aktuellsten Arbeit, der Musik zu einer Videoinstallation von Gudrun Barenbrock, aber auch live-Aufnahmen aus dem Projekt \u201eShakespeare ZombieNation II\u201c sowie Exzerpte und out-Takes aus meinen letzten Radioproduktionen \u201eENIAC girls\u201c (DLF 2018), \u201eAbenteuer\u201c (ORF Kunstradio 2020) und \u201eOtaku Nation\u201c (DLF\/SWR 2020). Ausgangspunkt sind meistens improvisatorisch erzeugte Strukturen und Kl\u00e4nge aus Modularsynthesizern, die dann mit Aufnahmen akustischer Instrumente und mit field recordings kombiniert und durch exzessives editing zu einer Komposition montiert werden.<\/p>\n<p><a href=\"http:\/\/www.udomoll.de\" target=\"_blank\" rel=\"noopener\">www.udomoll.de<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-567\" src=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/mollportrait_Foto-the-artist-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1709\" srcset=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/mollportrait_Foto-the-artist-scaled.jpg 2560w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/mollportrait_Foto-the-artist-300x200.jpg 300w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/mollportrait_Foto-the-artist-1024x684.jpg 1024w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/mollportrait_Foto-the-artist-768x513.jpg 768w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/mollportrait_Foto-the-artist-1536x1026.jpg 1536w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/mollportrait_Foto-the-artist-2048x1367.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/p>\n<p>Photo by Udo Moll<\/p>\n <\/div><\/div><\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p style=\"font-size:18px\">19:00<br><strong><strong><strong>I. M. FLOW-SEIN &#8211; wassup conciousness? Low below we flow<\/strong><\/strong><br><\/strong>Joker Nies, Petra Wolf<\/p>\n\n\n<div id=\"sp-ea-570\" class=\"sp-ea-one sp-easy-accordion\" data-ex-icon=\"fa-minus\" data-col-icon=\"fa-plus\"  data-ea-active=\"ea-click\"  data-ea-mode=\"vertical\" data-preloader=\"\"><div class=\"ea-card  sp-ea-single\"><h3 class=\"ea-header\"><a class=\"collapsed\" data-sptoggle=\"spcollapse\" data-sptarget=\"#collapse5700\" href=\"javascript:void(0)\"><i class=\"ea-expand-icon fa fa-plus\"><\/i> radioplay \/ diyinstruments \/ algorythmicmusic<\/a><\/h3><div class=\"sp-collapse spcollapse spcollapse\" id=\"collapse5700\" data-parent=\"#sp-ea-570\"><div class=\"ea-body\"> <p><em>2021<br \/>\nDuration:<\/em> \u00a029:00 min<\/p>\n<p><em>en \/<\/em> For their new project, the Easel Modulation Weasels, Petra Wolf und Joker Nies, will put on their A.I. skins and dive as FLOW und SEIN, deep into the dumb and numb of the \u2018SITUATION\u2019.<br \/>\nCultural ruins drift by failed promises and the masked ball of crisis-profit opportunity. So many questions: Can dull thinking save up nicely?<br \/>\nWhy speak precautionary, if stupidity does the job?<br \/>\nIf I think outside the box, does the radius give offense?<br \/>\nWe receive on all frequencies, detect fabrics of oscillation, and visit islands of peace and insanity, while not bothered at all by the whole \u2018mankind\u2019 thing: A.I.\u00a0 \u2013\u00a0 OK!<br \/>\nWe don\u00b4t know where the journey will take us, but that\u2019s finally the reason we have sent them out.<\/p>\n<p><em>ger \/<\/em> In Ihrem neuen Projekt ziehen sich die Easel Modulation Weasels, Petra Wolf und Joker Nies, ihre K.I. H\u00e4ute \u00fcber und tauchen als FLOW und SEIN tief in den Mumpf und Dumpf\u00a0 der \u201cLAGE\u201c ein.<br \/>\nKultur-Ruinen treiben vorbei an aufgegebenen Versprechungen, Maskenball mit Krisengewinn-Chance. Fragen \u00fcber Fragen:<br \/>\nKann dumpf denken, sch\u00f6n sparen?<br \/>\nWieso vorsorglich sprechen, wenn es Dummheit auch tut?<br \/>\nWenn ich quer denke, eckt dann der Radius zur\u00fcck?<br \/>\nWir empfangen auf allen Frequenzen, sp\u00fcren Schwingungsgewebe auf, besuchen Insel der Ruhe und des Wahns und lassen uns von dem ganzen Gemenschel nicht weiter beeindrucken:\u00a0 K.I. -\u00a0 OK !<br \/>\nWir wissen nicht genau, wohin die Reise geht; letztendlich haben wir die beiden los geschickt, um genau das herauszufinden.<\/p>\n<p>Joker Nies\/SEIN: music, instruments, text \/ Petra Wolf\/FLOW: programing, instruments, text<\/p>\n<p><a href=\"http:\/\/www.klangbureau.de\/\" target=\"_blank\" rel=\"noopener\">www.klangbureau.de<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-571\" src=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/EaseWeasels-1_-Foto-the-artists.jpeg\" alt=\"\" width=\"1002\" height=\"960\" srcset=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/EaseWeasels-1_-Foto-the-artists.jpeg 1002w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/EaseWeasels-1_-Foto-the-artists-300x287.jpeg 300w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/EaseWeasels-1_-Foto-the-artists-768x736.jpeg 768w\" sizes=\"auto, (max-width: 1002px) 100vw, 1002px\" \/><\/p>\n<p>Photo by Wolf\/Nies<\/p>\n <\/div><\/div><\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p style=\"font-size:18px\">19:30<br><strong><strong>If you see me on the road<\/strong><br><\/strong>MME dUO:&nbsp;Patricia Koellges, Tamara Lorenz<\/p>\n\n\n<div id=\"sp-ea-575\" class=\"sp-ea-one sp-easy-accordion\" data-ex-icon=\"fa-minus\" data-col-icon=\"fa-plus\"  data-ea-active=\"ea-click\"  data-ea-mode=\"vertical\" data-preloader=\"\"><div class=\"ea-card  sp-ea-single\"><h3 class=\"ea-header\"><a class=\"collapsed\" data-sptoggle=\"spcollapse\" data-sptarget=\"#collapse5750\" href=\"javascript:void(0)\"><i class=\"ea-expand-icon fa fa-plus\"><\/i> musiqueconcrete \/ invented instruments<\/a><\/h3><div class=\"sp-collapse spcollapse spcollapse\" id=\"collapse5750\" data-parent=\"#sp-ea-575\"><div class=\"ea-body\"> <p><em>Duration:<\/em>\u00a0 29:05 min<\/p>\n<p><em>en \/ 'If you see me on the road'<\/em> is a road movie about two lost audiophiles in a landscape full of disturbances, stutters, voids, whims and untold moments. It takes place at sea and on shore and explores movement and waiting. We are hitchhikers, <em>'<\/em><em>Please pick up me'\u00a0<\/em> is an invitation to you, dear listener, to perceive us and this sound piece we have prepared for you with not a jot of attention. How to? Nu \u2013 stay tuned.<br \/>\nMME dUO is concerned with field research into fragmented language and sound collage. They focus on both harmony and disharmony, using partly invented instruments, voice and electronics. All of this being rooted in \u2018Musique concrete\u2019. MME dUO are Patricia Koellges and Tamara Lorenz.<\/p>\n<p>ger \/ '<em>If you see me on the road'<\/em> spielt zu Wasser und zu Land, ist Fortbewegung und Warten, ein Roadmovie zweier verirrter Audiophiler in einer Landschaft voller St\u00f6rungen, Stottern, L\u00fccken und Launen und nicht erz\u00e4hlbarer Momente. Wir sind Anhalter und <em>'<\/em><em>Please pick up me'<\/em> ist eine Aufforderung an Sie, liebe H\u00f6rer, uns und dieses Klangst\u00fcck, das wir f\u00fcr Sie vorbereitet haben, mit keinem Deut Aufmerksamkeit wahrzunehmen. How to? Nu - Bleiben Sie dran.<br \/>\nMME dUO ist Feldforschung in fragmentierter Sprache und Klangcollage. Ein Dauerlauf in Dis und Harmonie mit teilweise erfundenen Instrumenten, Stimme und Elektronik und Verbindungen zur 'Musique concrete'. MME dUO sind Patricia Koellges und Tamara Lorenz.<\/p>\n<p><a href=\"http:\/\/www.mme-duo.de\" target=\"_blank\" rel=\"noopener\">www.mme-duo.de<\/a><br \/>\n<a href=\"https:\/\/mmeduo.bandcamp.com\/\" target=\"_blank\" rel=\"noopener\">bandcamp<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-577\" src=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/MME-dUO_FUNKT.jpg\" alt=\"\" width=\"1081\" height=\"1081\" srcset=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/MME-dUO_FUNKT.jpg 1081w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/MME-dUO_FUNKT-300x300.jpg 300w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/MME-dUO_FUNKT-1024x1024.jpg 1024w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/MME-dUO_FUNKT-150x150.jpg 150w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/MME-dUO_FUNKT-768x768.jpg 768w\" sizes=\"auto, (max-width: 1081px) 100vw, 1081px\" \/><\/p>\n<p>Photo by MME dUO<\/p>\n <\/div><\/div><\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p style=\"font-size:18px\">20:00<br><strong><strong>Gut Trostenthal (<s>Madness, Mayhem, Chaos, Disturbance and Destruction<\/s>)&nbsp;&nbsp;&nbsp;<\/strong><br><\/strong>Claus van Bebber, Therapeutische H\u00f6rgruppe K\u00f6ln<br><em>Moderation:<\/em> the artists <em>(ger)<\/em><\/p>\n\n\n<div id=\"sp-ea-87\" class=\"sp-ea-one sp-easy-accordion\" data-ex-icon=\"fa-minus\" data-col-icon=\"fa-plus\"  data-ea-active=\"ea-click\"  data-ea-mode=\"vertical\" data-preloader=\"\"><div class=\"ea-card  sp-ea-single\"><h3 class=\"ea-header\"><a class=\"collapsed\" data-sptoggle=\"spcollapse\" data-sptarget=\"#collapse870\" href=\"javascript:void(0)\"><i class=\"ea-expand-icon fa fa-plus\"><\/i> diyinstruments \/ audioprocessing \/ spatialmodulation<\/a><\/h3><div class=\"sp-collapse spcollapse spcollapse\" id=\"collapse870\" data-parent=\"#sp-ea-87\"><div class=\"ea-body\"> <p>2021<br \/>\n<em>Duration:<\/em> 59:00 min<\/p>\n<p><em>en \/ <\/em>Musician and sound artist Claus van Bebber (record player and objects) meets Therapeutische H\u00f6rgruppe K\u00f6ln (electronic instruments, objects, recording and processing) in a real world\/life encounter! Therapeutic interventions on HERE and THERE, distances between NOW, SOON and NOT YET. Time shifts, spatial modulation and momentary perspective - a wild messy scenario - uneasy at times but enjoyable bridging and crashing! Recorded at Gut Trostenthal (27 March 2021)<\/p>\n<p><em>ger\/ <\/em>Der Musiker, Klangk\u00fcnstler und Bildende K\u00fcnstler Claus van Bebber (Schallplattenspieler u. Objekte) trifft in real-r\u00e4umlicher Begegnung auf die Therapeutische H\u00f6rgruppe K\u00f6ln (Elektronisches Instrumentarium, Objekte, Recording u. Prozessierung). Therapeutische Interventionen zum HIER und DORT, Distanzen zwischen JETZT, GLEICH und EBEN. Zeitversatz, Raummodulation und Moment-Perspektive \u2013 ein \u201ew\u00fcste Szenerie\u201c-Amalgam \u2013 uneasy but enjoyable bridging and crashing! Aufgenommen auf Gut Trostenthal (27. M\u00e4rz 2021)<\/p>\n<p><a href=\"http:\/\/www.therapeutischehoergruppekoeln.de\/\" target=\"_blank\" rel=\"noopener\">www.therapeutischehoergruppekoeln.de\/<\/a><br \/>\n<a href=\"http:\/\/www.cvbebber.de\/\" target=\"_blank\" rel=\"noopener\">www.cvbebber.de<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-88\" src=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/03\/01_THGKVcB.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/03\/01_THGKVcB.jpg 800w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/03\/01_THGKVcB-300x300.jpg 300w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/03\/01_THGKVcB-150x150.jpg 150w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/03\/01_THGKVcB-768x768.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>Photo by THGK\/van Bebber<\/p>\n <\/div><\/div><\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p id=\"17april21\"><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color has-large-font-size\">21 \u2014 24 h<br>funkt#10<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p style=\"font-size:18px\">21:00<br><strong><strong><strong>bridging visual art and music<\/strong><\/strong><br><\/strong>Frauke Berg, Julia B\u00fcnnagel, Anke Eckardt<br><em>Moderation:<\/em> Will Saunders <em>(en)<\/em><\/p>\n\n\n<div id=\"sp-ea-27\" class=\"sp-ea-one sp-easy-accordion\" data-ex-icon=\"fa-minus\" data-col-icon=\"fa-plus\"  data-ea-active=\"ea-click\"  data-ea-mode=\"vertical\" data-preloader=\"\"><div class=\"ea-card  sp-ea-single\"><h3 class=\"ea-header\"><a class=\"collapsed\" data-sptoggle=\"spcollapse\" data-sptarget=\"#collapse270\" href=\"javascript:void(0)\"><i class=\"ea-expand-icon fa fa-plus\"><\/i> installation \/ sound art \/ female artists<\/a><\/h3><div class=\"sp-collapse spcollapse spcollapse\" id=\"collapse270\" data-parent=\"#sp-ea-27\"><div class=\"ea-body\"> <p><em>Duration<\/em>: \u00a059:00 min<\/p>\n<p><em>en\/\u00a0<\/em>This hour of radio is dedicated to bridging visual art and music through works from Frauke Berg, Julia B\u00fcnnagel and Anke Eckardt. Some of the works address the relationship between power and perception, structure and rule. Other works allow us to consciously listen to indoor and outdoor spaces. In her installation <em>\"HAUT dry\/wet\"<\/em>, Anke Eckardt uses ultrasonic beams to bring the surface reflections of architecture into a dynamic relationship with a visitor\u2019s mobile listening. In <em>\"Sounds Like Vienna\"<\/em> Julia B\u00fcnnagel extracts an otherwise inaudible score of urban space and makes it sound. Street surfaces, cast onto concrete slabs, are played by the artist using record decks. Through a system of floating loudspeakers, Frauke Berg allows field recordings to travel along a river in Poland. Her work <em>\u201eComposition For A Conducting River\u201c<\/em> is a unique sonic intervention into the river's surrounding soundscape.<br \/>\nThe original works are all built on a careful fusion of what can be listened to and what can be seen. So that the places and visual elements of each work can be imagined via radio, spoken introductions to the project's concepts and visual elements support the audio examples.<\/p>\n<p><em>ger\/\u00a0<\/em>Diese Stunde Radio widmet sich dem Br\u00fcckenschlag zwischen Bildender Kunst und Musik\u00a0mit Arbeiten von Frauke Berg, Julia B\u00fcnnagel und Anke Eckardt.\u00a0 Ein Teil der Arbeiten adressiert das Verh\u00e4ltnis von Macht und Wahrnehmung, Struktur und\u00a0 Regel. Andere Arbeiten lassen uns Innen- und Au\u00dfenr\u00e4ume belauschen. Anke Eckardt bringt in ihrer Installation <em>\"HAUT dry\/wet\"<\/em>, den Widerhall der Architektur mit Ultraschallbeams gezielt ins Ohr. Julia B\u00fcnnagel l\u00e4\u00dft in <em>\"Sounds Like Vienna\"<\/em> den urbanen Raum auf ungeh\u00f6rte Weise erklingen, abgeformte Stra\u00dfenbel\u00e4ge werden auf Schallplattenspielern abgespielt. \u00dcber schwimmende Lautsprecher erweitert Frauke Berg in <em>\u201eComposition For A Conducting River\u201c<\/em> den Naturraum auf einzigartige Weise, indem sie field recordings auf einem Flu\u00df in Polen reisen l\u00e4sst.<br \/>\nGemeinsam ist den originalen Arbeiten die Verschmelzung von H\u00f6ren und Sehen. Kurzen<br \/>\nEinf\u00fchrungen zur Konzeption und dem bildnerischen Anteil folgen H\u00f6rbeispiele, welche sowohl die Orte als auch das Visuelle \u00fcber das Radio imaginieren lassen.<\/p>\n<p><a href=\"http:\/\/\u200bwww.ankeeckardt.com\" target=\"_blank\" rel=\"noopener\">\u200bwww.ankeeckardt.com<\/a><br \/>\n<a href=\"http:\/\/www.juliabuennagel.de\" target=\"_blank\" rel=\"noopener\">www.juliabuennagel.de<\/a><br \/>\n<a href=\"http:\/\/www.fraukeberg.de\" target=\"_blank\" rel=\"noopener\">www.fraukeberg.de<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-592\" src=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Motiv_copyright_-Julia-Bu\u0308nnagel.jpg\" alt=\"\" width=\"1181\" height=\"1181\" srcset=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Motiv_copyright_-Julia-Bu\u0308nnagel.jpg 1181w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Motiv_copyright_-Julia-Bu\u0308nnagel-300x300.jpg 300w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Motiv_copyright_-Julia-Bu\u0308nnagel-1024x1024.jpg 1024w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Motiv_copyright_-Julia-Bu\u0308nnagel-150x150.jpg 150w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Motiv_copyright_-Julia-Bu\u0308nnagel-768x768.jpg 768w\" sizes=\"auto, (max-width: 1181px) 100vw, 1181px\" \/><\/p>\n<p>Photo by Julia B\u00fcnnagel<\/p>\n<p>&nbsp;<\/p>\n <\/div><\/div><\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p style=\"font-size:18px\">22:00<br><strong><strong>Tara-ra (many stars, together<\/strong>)<br><\/strong>Bidisha Das<\/p>\n\n\n<div id=\"sp-ea-594\" class=\"sp-ea-one sp-easy-accordion\" data-ex-icon=\"fa-minus\" data-col-icon=\"fa-plus\"  data-ea-active=\"ea-click\"  data-ea-mode=\"vertical\" data-preloader=\"\"><div class=\"ea-card  sp-ea-single\"><h3 class=\"ea-header\"><a class=\"collapsed\" data-sptoggle=\"spcollapse\" data-sptarget=\"#collapse5940\" href=\"javascript:void(0)\"><i class=\"ea-expand-icon fa fa-plus\"><\/i> soundscape \/ diyinstruments \/ analoguesynths<\/a><\/h3><div class=\"sp-collapse spcollapse spcollapse\" id=\"collapse5940\" data-parent=\"#sp-ea-594\"><div class=\"ea-body\"> <p><em>Duration:<\/em> \u00a059:00 min<\/p>\n<p><em>en \/<\/em> Bidisha is an Indian artist working closely with nature and sound art. Her work is primarily inspired by the wonders of life, cosmos and bio sounds. She works with self-made instruments and analogue synths. She often explores and digs in her interest in technology through several improvised sonic space-time ventures. She is inspired by the language of folk sounds and worked collaboratively with other musicians exploring Indian folk music from Bengal and Rajasthan. For the Cologne Radio Weekend Show, she will be presenting a soundscape where the voyage plays an important role. It celebrates the fact of being alive on Earth\u2026and the movement of our planet through this vast space. The abstraction of the entangled space and our endless cosmic journey is the story of the composition. It is called \u2018Tara-ra\u2019, which in Bengali means \u2018many stars, together'.<\/p>\n<p><em>ger \/<\/em> Bidisha ist eine indische K\u00fcnstlerin, die engverwoben mit Natur und sound art arbeitet. Ihre Arbeit ist inspiriert von den Wundern des Lebens, des Kosmos und der Biokl\u00e4nge. Sie arbeitet mit selbstgebauten Instrumenten und analogen Synthesizern. Sie erforscht und vertieft h\u00e4ufig ihr Interesse an Technologie durch improvisierte Raum-Zeit-Projekte. Sie ist von der Sprache der Volkskl\u00e4nge inspiriert und arbeitete mit anderen Musikern zusammen, die die indische Volksmusik aus Bengalen und Rajasthan erforschen. F\u00fcr Funkt sound art radio pr\u00e4sentiert sie ein soundscape, in der das Reisen eine wichtige Rolle spielt. Es feiert die Tatsache, auf der Erde zu leben\u2026 und die Bewegung unseres Planeten durch diesen riesigen Raum. Die Abstraktion des verschr\u00e4nkten Raumes und unsere endlose kosmische Reise erz\u00e4hlt die Komposition. \"Tara-ra\" ist Bengali, es bedeutet \"viele Sterne zusammen\".<\/p>\n<p><a href=\"https:\/\/bids.bandcamp.com\/track\/d-u-r-e\" target=\"_blank\" rel=\"noopener\">bandcamp<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-598\" src=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Bidisha-Das_Foto_privat.jpg\" alt=\"\" width=\"1618\" height=\"1176\" srcset=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Bidisha-Das_Foto_privat.jpg 1618w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Bidisha-Das_Foto_privat-300x218.jpg 300w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Bidisha-Das_Foto_privat-1024x744.jpg 1024w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Bidisha-Das_Foto_privat-768x558.jpg 768w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/Bidisha-Das_Foto_privat-1536x1116.jpg 1536w\" sizes=\"auto, (max-width: 1618px) 100vw, 1618px\" \/><\/p>\n<p>Photo by Avirat Sundra<\/p>\n <\/div><\/div><\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p style=\"font-size:18px\">23:00<br><strong><strong>Conceptronica: The Sound and Ideas of Conceputal, Critical, Political Electronic Music of Today<\/strong><br><\/strong>Institut f\u00fcr Betrachtung, sonae<br><em>Moderation:<\/em> sonae <em>(en)<\/em><\/p>\n\n\n<div id=\"sp-ea-440\" class=\"sp-ea-one sp-easy-accordion\" data-ex-icon=\"fa-minus\" data-col-icon=\"fa-plus\"  data-ea-active=\"ea-click\"  data-ea-mode=\"vertical\" data-preloader=\"\"><div class=\"ea-card  sp-ea-single\"><h3 class=\"ea-header\"><a class=\"collapsed\" data-sptoggle=\"spcollapse\" data-sptarget=\"#collapse4400\" href=\"javascript:void(0)\"><i class=\"ea-expand-icon fa fa-plus\"><\/i> conceptronica \/  electronic \/ post-club \/ deconstructed<\/a><\/h3><div class=\"sp-collapse spcollapse spcollapse\" id=\"collapse4400\" data-parent=\"#sp-ea-440\"><div class=\"ea-body\"> <p><em>Duration:<\/em> 59:18 min<\/p>\n<p><em>en \/<\/em> The Sounds and Ideas of Conceputual, Critical and Political Electronic Music of Today \/ The positioning of electronic music between the two worlds of \u2018club\u2019 and \u2018art\u2019 has become a fairly common reality of current artistic life. \u00a0Music journalist Simon Reynolds outlined and named this phenomenon in his article, \u2018The Rise of Conceptronica. Why so much electronic music this decade felt like it belonged into a museum instead of a club\u2019. After a wave of public debate and reactions about Reynolds\u2019 article, Sonae decided to leave the discussion and dedicate this hour to the sound and ideas of so-called \u2018<em>Conceptronica\u2019.<br \/>\n<\/em>Sonae is a musician, live performer, DJ for experimental electronic music, and author.<\/p>\n<p><em>ger \/ <\/em>Sound und Ideen der konzeptionellen, kritischen, politischen Elektronischen Musik von heute \/ Eine Positionierung zwischen zwei Welten: Elektronische Musik zwischen Club und Kunst ist inzwischen eine ziemlich verbreitete k\u00fcnstlerische Lebensrealit\u00e4t. Musikjournalist Simon Reynolds umriss und benannte das Ph\u00e4nomen in seinem diskutierten Artikel \u201eThe Rise of Conceptronica. Why so much electronic music this decade felt like it belonged into a museum instead of a club\u201c (Pitchfork). Nach einer Welle \u00f6ffentlicher Debatten und Reaktionen auf Reynold's Artikel, entschied Sonae, den Diskurs zu verlassen und diese Stunde dem Sound und den Ideen der sogenannten <em>Conceptronica <\/em>zu widmen. | Sonae ist eine Musikerin, Live Performerin und DJ der experimentellen Elektronischen Musik, zudem Autorin.<\/p>\n<p>playlist:<strong><br \/>\n<\/strong>\u2014 PRETENDING (Sophie II) \/ Nkisi<br \/>\n\u2014 TRANSIT (Isabelle Finou Territory War) \/ Bromo<br \/>\n\u2014 ON MIGRATION (A Bhaskar Rao We Are Here) \/ Sonae<br \/>\n\u2014 ON FEMICIDE \/ rec-on.org<br \/>\n\u2014 FEAR, UNCERTINITY, DOUBT\u00a0 (Holly Herndon White Maetel) \/ Chino Amobi<br \/>\n\u2014 ON OPPRESSION \/ rec-on.org , Kollu I-Joloud, Zuli feat. Msylma<br \/>\n\u2014 SYSTEM IMMANENT VALUE DEFECT (Sonae On Frontex) \/rec-on.org<br \/>\n\u2014 ANIMAL UNION (Bromo Vulnerbody) \/ Zuli Solidare, AGF<br \/>\n\u2014 ARE YOU FREE? (Nkisi In Your Head) Zuli<br \/>\n\u2014 YOU CONCRETE \/ Lee Gamble<\/p>\n<p><a href=\"https:\/\/sonaemusic.net\" target=\"_blank\" rel=\"noopener\">www.sonaemusic.net<\/a><br \/>\n<a href=\"http:\/\/www.institutfuerbetrachtung.de\" target=\"_blank\" rel=\"noopener\">www.institutfuerbetrachtung.de<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-446\" src=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/sonae_copyright_markus-guentner-1024x768.jpg\" alt=\"\" width=\"1024\" height=\"768\" srcset=\"https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/sonae_copyright_markus-guentner-1024x768.jpg 1024w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/sonae_copyright_markus-guentner-300x225.jpg 300w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/sonae_copyright_markus-guentner-768x576.jpg 768w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/sonae_copyright_markus-guentner-1536x1152.jpg 1536w, https:\/\/www.gerngesehen.de\/funkt\/eng\/wp-content\/uploads\/2021\/04\/sonae_copyright_markus-guentner-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p>Photo by Markus G\u00fcntner<\/p>\n <\/div><\/div><\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A weekend of 53 hours non-stop excerpts what makes electronic + sound art from Cologne adorable \u2013 worth hearing \/ sound art radio \/ saturday17 april 2021 MESZ\/CEST\/CEDT BST + 0100 0 \u2014 3 hfunkt#3 00:00Why are you just jumping all the time instead of falling?Rebecca Beauchamp, Tatiana Heumann, hans w. koch, Jiyun Park, Hye [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-319","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/www.gerngesehen.de\/funkt\/index.php?rest_route=\/wp\/v2\/pages\/319","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gerngesehen.de\/funkt\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.gerngesehen.de\/funkt\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.gerngesehen.de\/funkt\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gerngesehen.de\/funkt\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=319"}],"version-history":[{"count":109,"href":"https:\/\/www.gerngesehen.de\/funkt\/index.php?rest_route=\/wp\/v2\/pages\/319\/revisions"}],"predecessor-version":[{"id":1038,"href":"https:\/\/www.gerngesehen.de\/funkt\/index.php?rest_route=\/wp\/v2\/pages\/319\/revisions\/1038"}],"wp:attachment":[{"href":"https:\/\/www.gerngesehen.de\/funkt\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}